The Belafonte




This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 

(Source: fstardust, via baconkevin)

Beach House - Wishes 
Directed by Eric Wareheim
(Sub Pop, 2013)

Mr. Shrim leads the most righteous halftime show of all time

video: AlunaGeorge - Attracting Flies

disconaivete:

Aluna of AlunaGeorge becomes a very modern version of Goldielocks in the video for the duo’s latest single Attracting Flies, ready to be saved from her ghetto tower by the Crack Prince. Will he save her from the night? Not your classic Disney story, plus mind the big *parental advisory* stamp. Directed by Emil Nava

bbook:


Adapted from Michael-Marc Bouchard’s Tom a la Ferme, Tom at the Farm is a psychological thriller where…
Stockholm Syndrome, mourning and latent violence permeate a story of lies and imposters. A young ad executive travels to the country for a funeral and discovers that no one there knows his name or his relationship with the deceased.Set deep in the farmlands of Quebec, TOM AT THE FARM tells of the growing fissure separating city and country and the respective natures of the men that reside there.
Source (this is from last month, but come on, it’s basically new information!)

“A psychological thriller that is worrying and scary–I hope.”

bbook:

Adapted from Michael-Marc Bouchard’s Tom a la Ferme, Tom at the Farm is a psychological thriller where…

Stockholm Syndrome, mourning and latent violence permeate a story of lies and imposters. A young ad executive travels to the country for a funeral and discovers that no one there knows his name or his relationship with the deceased.Set deep in the farmlands of Quebec, TOM AT THE FARM tells of the growing fissure separating city and country and the respective natures of the men that reside there.

Source (this is from last month, but come on, it’s basically new information!)

“A psychological thriller that is worrying and scary–I hope.”

(via smokingweedinthefrontyard)

turnipsalad:

I THOUGHT I HAD A FAVOURITE INFOMERCIAL GIF

image

BUT I THINK I HAVE FOUND A NEW FAVOURITE

image

pitchfork:

dopeflix:

something new from Death Grips.

 Death Grips have uploaded a series of mysterious videos onto their YouTube page. There are five versions of a video called “No Hands”, each of which has what sounds to be original music and home video footage

pitchfork:

“Step”, from Vampire Weekend’s forthcoming Modern Vampires of the City, is named Best New Track. You can also hear “Diane Young” from the new album. 

pitchfork:

Step”, from Vampire Weekend’s forthcoming Modern Vampires of the City, is named Best New Track. You can also hear “Diane Young” from the new album. 

The Intouchables (2011) Dir. Olivier Nakache and Eric Toledano

(Source: braning)